Peter Leithart in 2003 published his wonderful book, From Silence To Song: The Davidic Liturgical Revolution, which exegetically and theologically demonstrates the importance of David’s tabernacle worship on Mount Zion, both to Old Covenant and New Covenant worship. While I am not convinced of Leithart’s entire thesis (i.e. I think his arguement that weekly worship before David did not involve singing is an arugement from silence, and seems unlikely to me considering the fact that we have songs given to us previous David that were sung in a worship context), Leithart’s work is unique and groundbreaking in terms of its discription of the importance of Davidic worship prophetically.This book is must reading for all serious students of the Bible and its teaching on music in the church.
Last week an article was published by Leithart in First Things, How the Church Lost Her Soundscape, about contemporary Christian worship music. He introduced his subject by saying, “I am not assessing the quality, theology, or sincerity of contemporary worship music. I merely observe the fact, and offer a preliminary interrogation of its cultural sources and effects. What ideas, standards, and forces shape liturgical music? And, what does the church’s musical culture say about the church and its future?”
” Culture is a gift from the old to the young, and the younger generation’s grateful reception is a sign of honor for fathers. Cultural transmission has been thrown into reverse, also in the church.”









